2024, 3' 20, multi-screen video
In the summer of 2024, I shared an Airbnb with a man in Cambridge. We discovered that our childhoods had so many differences but also similarities. You might not remember these moments, but just like every summer nap in bedroom.
2024, photography
I'm waiting to be cracked.
2023, 10' 01, video
I am attempting to construct a narrative that incorporates elements of storytelling and exploration of personal past memories. This story revolves around three main elements: the narrator, the protagonist, and the audience. This narrative serves as a refuge, allowing me to experience various events without directly participating in them or bearing the guilt associated with the story.
2023, 2' 47, video
I often think about how we are connected to others and how an intimacy with the sensitivity of distance happens.
When people and events are juxtaposed in an image, a time-based media naturally connects them, building unknowable connections from the boring, the everyday, the inarticulate, the unexplained that emerge.
2022, 9' 08, video
I thought about constructing the river for years. It is what I witnessed but unspecified. In the process of constructing it, I realised that childhood is not a memory but a story with subjective deletion and edition. Those insignificant affection and long-forgotten shadows had slowly returned. The river flowed and soaked my childhood. My remaining choice was to dive deep into the water.
2022, mix media
It's a reconstruction in images the interweaving of feelings, family and memories in my mind.
Undercurrents of affection, childish fantasies, physical tingles, the stimulation of voyeuristic secrecy become more and more ambiguous the more I construct them. The images create another memory, so blurred are reality and fiction, so blurred are the memories.
2021, photography
Zhangshu Tunnel is a tunnel leading from my hometown to a village.
2020, photography
I got my first Fujifilm camera in Hainan.
